A scenic view
of the Vermont
Technical College Campus
GREEN MOUNTAIN RUG SCHOOL, Inc.,
offers innovative instruction with highly qualified and
well-respected instructors in the art and craft of rug
hooking. Now in its 28th year, the school supports and
promotes all styles and techniques of traditional and
contemporary rug hooking. During mid-June, the school offers
a wide range of classes for all levels at the scenic Vermont
Technical College campus in Randolph Center, Vermont.
from beginning hooking, dyeing, fine hooking tapestry to
primitives and wide-cuts, pictorials, folk art, punch
needle, penny rugs, braiding and more. Students select one
class per session. Classes are limited to 12-14 students to
allow for individual attention and are filled on a
first-come, first-served basis.
from all over the United States and Canada. Rug exhibits and
a well-stocked rug shop are open daily.
We also invite
you to visit us year-round at our shop, Green Mountain
Hooked Rugs, located at 2838 County Road in Montpelier,
Vermont. Give us a call at 802-223-1333, or visit
www.GreenMountainHookedRugs.com to learn more and to buy
wool, kits, finished rugs, and hooking supplies.
be time to renew old friendships
and make new ones.
The air is fresh, the view is great,
and the coffeepot is
Marston of Belmont, MA, Rug School 2007.
only six when she learned to hook from her
mother, Anne Ashworth, a nationally recognized
rug hooker who co-founded Green Mountain Rug
School (GMRS) with Jean Armstrong in 1982. A
fourth-generation rug hooker, Stephanie spent
much of her childhood traveling to hooking
classes with her mother, and helping with the
family's custom-dye business. As a stay-at-home
mom, Stephanie learned to repair hooked rugs,
and in 1990 became involved with the
administrative work of GMRS. When Anne decided
to retire from GMRS in 2001, Stephanie was ready
to accept the leadership of the 20-year-old
school, and currently operates it with her
sister, Pam; her dad, Wink; and her daughters,
Cecely, Lindsay, and Mariah. Stephanie, a
custom-dyeing specialist, also owns Green
Mountain Hooked Rugs in Montpelier, Vermont,
where she offers wool, yarn, hooking supplies,
custom dyeing, rug repair, rug- cleaning
services, and classes.
Stephanie (right) with her father Wink Ashworth (center),
and sister, Pamela Ashworth Kirk (left).
THE CLASSES AND
Select one class per session.
WEEKEND 1, June
Braiding Beyond the
Hooking with Kris McDermet FULL
Scraps–Techniques in Using the Un-usable with Linda
Dye Pots in the
Greenhouse–Essentials with Karen Schellinger FULL
Multi-Cut Landscapes &
Pictorials–All Levels with Pam Bartlett FULL
Punch Needle–Open Class
with Amy Oxford FULL
Visual Rug Journal
with Kim Dubay (3 Openings)
THE WEEK, June
Borders with Germaine
James (1 Opening)
Braiding for All Levels
with Phyllis DeFelice FULL
Dye Pots in the
Greenhouse–Comprehensive with Karen Schellinger FULL
Early Primitives with
Jule Marie Smith FULL
Leaves & Orientals with Nancy Claflin Blood FULL
Folk-Art Styles with
Norma McElhenny FULL
People & Places with
Roslyn Logsdon FULL
Picture This… with
Jon Ciemiewicz (2 Openings)
with Beverly Conway (1 Opening)
WEEKEND 2, June
Bring Animals to Life
with Wide-cut with Trish Becker (2 Openings)
with Susan Feller (1 Opening)
Dye Pots in the
Greenhouse–Advanced with Karen Schellinger CANCELLED
Find It & Finish It
with Nancy Claflin Blood (3 Openings)
Florals, Leaves & Scrolls
with Diane Moore FULL
Scrap Rugs That Sing–All
Levels with Lisanne Miller FULL
Photo credit: Pamela Ashworth Kirk
LECTURES –The VTC
Lecture descriptions can be found in Class Listings by
Importance of Documenting Hooked Rugs in an Artful Way
with Kim Dubay
Saturday, June 6, 7–8 PM
Free and open to the public
Illusion of the Third Dimension with Jon Ciemiewicz
Tuesday, June 10, 7–8 PM
$8– Also available to the public
Saturdays, June 6 & 13
Thursday, June 11, 10 AM-6 PM
Old Dorm Lounge. FREE & Open to the Public
Students attending GMRS display more than 200 finished rugs
and hooked pieces in this spacious, well-lit room.
Students: don’t forget to bring your rugs!
THE RUG SCHOOL SHOP
Friday, June 5–Sunday, June 14, 8:30 AM–5 PM
Morey Hall lounge, next to the cafeteria.
shop awaits you with more than 200 bolts of 100-percent wool
fabric, a wide selection of dyed-wool fabric and yarn, as
well as traditional rug-hooking supplies, such as frames,
hooks, cutters, patterns, kits, backings, dyes, magazines,
and books. In addition, a special line of Vermont-crafted
baskets is available, and GMRS teachers offer patterns and
books for sale. We also invite you to visit our year-round
shop, Green Mountain Hooked Rugs, at 2838 County Road,
Montpelier, Vermont 05602. (802) 223-1333. Open
Tuesday–Saturday, 10 to 5 PM (closed during Rug School).
Or visit us online at
TRANSPORTATION is available from the nearest airport,
which is in Burlington, Vermont, about seventy-five minutes
from the school. Call Magic Taxi Service at 802-233-3661 to
make a reservation. The taxi charge is $130 one-way, but
they are amenable to up to four people sharing the ride and
fee. To coordinate with other rug hookers arriving by air,
contact Stephanie at 802-223-1333. The Manchester, New
Hampshire, airport is about 2 hours from the school. Car
rentals are available at both airports.
ACCOMMODATIONS are in a dormitory—two to a room, unless
single occupancy is requested. The college supplies sheets,
a blanket, one towel and face cloth. Please bring your own
pillow, as well as clothes hangers and an extra blanket if
desired. Along with your hooking equipment and wool, you
might also want to bring a lamp. All buildings are within
walking distance, and there are plenty of paved walkways.
served from 7:30–8:30 AM, noon–1 PM, and 5:30–6:30 PM.
The cafeteria serves a wide variety of delicious foods,
including vegetarian selections, and provides a large salad
bar. Coffee, cold drinks, and ice cream are available
throughout the day.
AMENITIES and attractions include an indoor pool,
massage therapy (for a fee), and shopping and antiques
within easy driving distance.
Check-in Friday morning. Welcome Lunch at noon,
classes begin at 1 PM.
Saturday and Sunday classes are from 9
Student exhibit, Saturday, 10 AM–6 PM.
Check-out Sunday by 5 PM.
Check-in Sunday afternoon. Wine and Cheese at
5:30 PM. Welcome Dinner at 6 PM.
Classes Monday–Thursday, 9 AM–4 PM, Friday
Student exhibit, Thursday, 10 AM–6 PM.
Check-out Friday by 5 PM.
Evening lectures, indoor pool, massage therapy
“The landscape and location are lovely and
peaceful. My teacher was excellent. Regarding
Green Mountain Rug School, just do what you
do—the school seems so well organized to me.”
Hooked By Pamela
Bartlett—Loudon, New Hampshire
Multi-Cut Landscapes &
Pictorials–All Levels (Weekend 1)
Pam is McGown-certified and has been hooking for more than
26 years. She teaches at her studio as well as at schools in
the U.S. and Canada. She is a juried member of the League of
NH Craftsmen and was a finalist in the "Icons of America" at
the Museum of American Folk Art in New York City. Pam enjoys
all styles of hooking, but may be best known for her use of
multi-cuts in pictorials and animals.
Becker—Phillipsburg, New Jersey
Bring Animals to Life with Wide-Cut
Trish Becker is a master wool-dyer, known for her richly
dyed, textured wool and wonderful wide-cut rugs. Her work,
done exclusively in #9 cut, is in private collections and
has graced the covers of all three major rug-hooking
magazines. A retired chemist, and an artist of Scottish
heritage, Trish lives in a stone barn in New Jersey.
Claflin Blood—Owego, New York
Fine Hooking–Flowers, Leaves &
Orientals (Week); Find It & Finish It (Weekend 2)
McGown-accredited and a rug hooker since 1976, Nancy has
been teaching since 1980. She has served on many national
boards and is a co-author of A Rug Hooker’s Garden, now in
its second printing. She has published two dye books.
Ciemiewicz—Litchfield, New Hampshire
Jon (pronounced “Yon”) has turned a fascination
with wildlife into innovative hooked pictures. His work has
been featured in Rug Hooking, ATHA, and McGown publications,
and he exhibits at New England state fairs. Jon’s expertise
now includes portraits and landscapes.
Beverly Conway—Middlebury, Vermont
Whimsical Primitives (Week)
Best known for her hand-dyed wool and whimsical patterns,
Bev is the owner of Beverly Conway Designs, a business she
started more than 15 years ago. She’s been a rug hooker for
many years and teaches all over the country.
DeFelice, Braiding for All Levels (Week)
Phyllis DeFelice—North Sutton, New Hampshire
Braiding for All Levels (Week)
Phyllis received her certification as a practical arts
teacher in the art of reversible braided rugs. She has
taught a number of adult education courses since 1979, and
now has a home studio where she teaches group and private
Dubay—North Yarmouth, Maine
Visual Rug Journal (Weekend 1)
Kim has been designing and producing hooked rugs since 1993
in her studio, Primitive Pastimes, where she also sells
supplies. Best known for her embellished primitives, her
work has been featured in many fiber-art publications.
Feller—Augusta, West Virginia
Color Explorations (Weekend 2)
Susan holds a dual degree in art and history from UMass
Boston. She learned handcrafts at an early age from family
members and enjoys energizing others to expand their
knowledge and talents. For more information, visit her
James, Borders (Week)
Germaine James—Colborne, Ontario
Hailing from Canada, Germaine holds certificates in the
teaching of traditional rug hooking from St. Lawrence
College, the Ontario Hooking Craft Guild, and Sheridan
College. For years she has written for publications on both
sides of the Atlantic, and her rugs have been featured in
many books and magazines. Over the past 40 years, she has
taught at many rug-hooking schools throughout North America,
including GMRS, where she has taught a variety of subjects.
People & Places (Week)
Having studied art in college and graduate school, Roslyn
transitioned from painting to rug hooking more than 25 years
ago. Her work has been exhibited all over the country,
including the U.S. Embassy in Ankara, Turkey. In 1998, she
published People and Places: Imagery in Fiber.
Braiding Beyond the Hooking (Weekend 1)
Kris has been hooking and braiding for more than 30 years
and loves combining the two crafts. She says, “…joining
hooking and braiding in one rug adds to the color and
design of the piece. The textures of the wool compliment
both mediums.” She teaches beginning rug hooking and all
levels of braiding throughout the New England region.
Folk-Art Styles (Week)
Norma has been hooking for 20 years and is an accredited
McGown teacher. She teaches around New England and is active
in ATHA and local guilds. Norma is currently the
corresponding secretary for the McGown Guild at the national
Lisanne Miller—Brandon, Mississippi
Scrap Rugs That Sing–All Levels
Lisanne loves the whimsical designs of modern-day folk art,
which she includes in her patterns and sells in her store, P
is for Primitive, in Canton, Mississippi. She is a member
and master craftsman in the Craftsmen’s Guild of
Mississippi, and the San Souci Louisiana Crafts Guild in
Lafayette, Louisiana. Her rugs have appeared in several ATHA
publications as well as in the most recent book by Jessie
Florals, Leaves & Scrolls (Weekend
Diane is an accredited McGown teacher who specializes in
hooking with finer cuts. She teaches in many parts of the
country and Canada. Her work can be seen in Celebrations of
Hand Hooked Rugs VII and VIII, and on the cover of A Garden
of Flowers, published by Rug Hooking magazine.
Punch Needle–Open Class (Weekend 1)
Amy has been making punch needle-style hooked rugs since
1982, and she’s been teaching the craft since 1986. She is
the founder of Red Clover Rugs, a rug-hooking shop and
mail-order business, and has been licensed by the Shelburne
Museum to make adaptations of their antique rugs, helping
the museum catalog their collection of over 400 rugs. Amy is
the inventor of The Oxford Punch Needle and author of Punch
Needle Rug Hooking, and Volumes I-III of Hooked Rugs Today
by Schiffer Publishing. She’s won numerous awards in
recognition for her work.
Drowning in Scraps–Techniques in
Using the Un-usable (Weekend 1)
Linda has been hooking for more than ten years
and leads a bi-weekly group of rug hookers through the Fiber
Art Center in her hometown of Amherst. She is the author of
two books: Miniature Punchneedle Embroidery and A Passion
for Punchneedle, published by Martingale Press.
Dye Pots in the
Greenhouse–Essentials, Advanced & Comprehensive (Weekends 1
& 2, Week)
A McGown-accredited teacher, Karen is best known for her
wide-cut, primitive designs and her warm, richly dyed wool.
She teaches all over the country and continues her own
education by attending numerous classes yearly. She has
published three books on dyeing.
Marie Smith—Balston Spa, New York
Early Primitives (Week)
Julie has been at GMRS for more than 25 years and
specializes in imaginative designs and beautiful color
combinations. Her work has been exhibited all over the East
Coast, including the American Folk Museum in New York City.
WEEKEND ONE, June 5–7
THE HOOKING Kris
Explore the colorful world of braiding, as Kris guides you
through the process of adding a braided edge to your hooked
rug. She shows you the basic techniques of braiding, lacing,
butting, and padding your hooked piece. She discusses color
choices and the use of different textured fabrics in
creating a braided edge. Please come to class with one or
two small hooked round, square, or rectangular pieces. Each
braided row is separate and students may add as many rows as
they like. Students are contacted prior to class and given a
list of supplies needed for braiding.
SCRAPS–TECHNIQUES FOR USING THE UN-USABLE
Linda Repasky FULL
We try to be frugal hookers, but we still end up with piles
of leftover “worms”, and pieces of wool that are too short
and stubby for hooking. If you find yourself wondering what
to do with your too-good-to-throw-away scraps, this is the
class for you! Learn several old rug-making techniques,
including standing wool rugs and shirring, to create small
mats during class. In addition, work on quick and easy
projects that not only chip away at your piles of scraps,
but also give you ideas for gift-giving. The focus of this
class is on fun—as we play with wool in new and different
DYE POTS IN THE
Karen Schellinger FULL
In this hands-on dye class, explore the fundamentals of
dyeing by mixing the Pro Chemical primary colors. Practice
the “dye-by-eye” technique using fundamentals of the color
wheel, and learn to set fear aside as confidence builds.
Bring wool, comfortable shoes, and dress casually. Create a
“wool garden” of color to take home, with a new
understanding of the what, when, and why in the dye pots.
Students are contacted prior to the class and receive a
LANDSCAPES & PICTORIALS
Pam Bartlett FULL
This pictorial class is designed for both beginner and
advanced students with a focus on landscapes—original or
commercial design. Explore the compositional elements of
light and shadow to create perspective using a variety of
dyed and textured wools. Pam prefers to blend fine cut along
with wide cut, encouraging students to enhance their own
personal style and to discover new ways to create a unique
pictorial in rug hooking.
PUNCH NEEDLE–OPEN CLASS
Amy Oxford FULL
This class is designed for beginners interested in learning
the basics of punch needle rug hooking, and for more
experienced punchers interested in the opportunity to
enhance their skills in a supportive and encouraging
environment. All students are welcome! Bring your own
pattern, or choose from dozens of small 8 x 14-inch designs
available from Amy—great for chair seats, wall hangings, or
tabletop decorations. Intermediate students may also use
these patterns, start a new piece of any kind, or bring in a
work in progress.
VISUAL RUG JOURNAL Kim Dubay (3 Openings)
Many of us have written notes, dye formulas, and
sketches for hooked rugs, but where are they now? Lost, or
long forgotten? Have you ever wanted to keep track of the
rugs you've hooked in something other than the familiar
photo album? Kim shows how to organize them in an attractive
and artful way, using recycled books. Students design and
hook a cover for their new ‘journal’. After preparing the
book pages, students assemble all the materials they’ve
brought and then record the information or stories about
their rugs. Kim shares easy techniques for transferring
photos to fabric, making photo transparencies and many other
scrap-booking skills. There are several styles of rug
journals for students to view for inspiration. A supply list
is sent to each student before class.
The Importance of Documenting Hooked Rugs in an Artful
Way with Kim Dubay
Saturday, June 6, 7-8 PM
Free and also open to the public.
In the last couple of years, Kim has developed classes on
how to showcase background information collected while
hooking a rug. All the sketches, dye formulas, notes and
photos that accumulate as a rug is created are usually
discarded or never looked at again. What if rug hookers were
able to take all this vital information and create an
attractive and artful way to share it with others? How would
that increase the value of each rug? Wouldn't families
appreciate the stories and process of creating a particular
rug given to them by the rug hooker? Kim shares her
experiences and shows examples of her work.
with their rugs in Jule Marie Smith’s Early Primitives
class, Rug School 2007
WEEK, June 7–12
BORDERS Germaine James (1 Opening)
Borders can be used as a frame to enhance the detail in the
main part of the hooking. However, borders can also be
important just by themselves. If you have a design that
needs a “frame”, Germaine helps you create a border that
complements the subject. Or if you have a plain hooked
center, Germaine makes suggestions based on your personal
preferences. Commercial patterns with interesting borders
may also be used. Germaine helps you color plan and suggests
a hooking style to complement the central design. Some
dyeing may be done in class.
BRAIDING FOR ALL LEVELS
Phyllis DeFelice FULL
Beginners explore the fundamentals of creating a braided
rug, including braiding, lacing, changing color, tapering,
butting, and planning a round chair seat or a small round or
oval rug. Experienced braiders have the opportunity to
expand their skills to include modified and squared-corner
articles such as rectangle, heart and square shapes, as well
as arrowhead and rail-fence designs. All braiding is done
the "old-fashioned way", by hand, folding the three tubes
throughout the rug to give a very even braid. This
once-utilitarian craft has seen a resurgence of interest and
is now considered an art form. Students are contacted prior
to the class and receive a supply list. Basic braiding
supplies are available at the GMRS rug shop.
DYE POTS IN THE
GREENHOUSE–COMPREHENSIVE Karen Schellinger FULL
Amazing color, creativity, fun, 14 dye techniques, and much
more! Learn to mix the Pro Chemical primary colors,
“dye-by-eye” using the color wheel, and explore at least 13
other dye techniques. Explore the depths of your imagination
and build confidence in this hands-on class! Bring wool,
comfortable shoes and dress casually. Create a “wool garden”
of color to take home with a new understanding of the what,
when, and why in the dye pots. Students are contacted prior
to the class and receive a supply list.
EARLY PRIMITIVES Jule
Marie Smith FULL
This class focuses on early primitive rugs in the style of
the 1800s. Study the designs and colors of rugs from this
era, and apply your understanding to create a unique rug,
using motif ideas from your own life. As rug hookers of the
past used what they had, so will we! Bring your “wool stash”
of odds and ends to create the look of “running out.” See
examples in American Hooked and Sewn Rugs by Joel and Kate
FINE HOOKING–FLOWERS, LEAVES &
ORIENTALS Nancy Claflin Blood FULL
Nancy specializes in #3- and #4-cut in fine tapestry work
using an artistic, painterly approach. The class focuses on
in-depth studies of assorted design elements using different
shading techniques and color schemes. All finely shaded
designs are welcome, including florals, orientals, fruit,
and crewel designs.
FOLK-ART STYLES Norma
Norma’s love of color is reflected in her country folk-art
styles found in all types of rug hooking, fine- to wide-cut.
Start a new rug or bring one in progress and Norma can help
you color plan using her wool and yours. One of the
highlights of this class is a day of dyeing, in which Norma
reveals her tips for creating spot-dyed wool, gradation
swatches, mottled, and “abrashed” wool. She also shares her
“back-to-basics” approach to hooking, and concludes the week
by demonstrating her unusual styles of rug finishing.
PEOPLE & PLACES Roslyn
Capture the essence of an image or a memory, as you work in
a #3- or #4-cut or larger, to create a one-of-a-kind hooked
picture representing people, places, or both. You may design
your own pattern, or for a fee, Roslyn can design one using
your photos. Students are contacted prior to the class to
discuss their project.
PICTURE THIS… Jon
Ciemiewicz (2 Openings)
Would you like to capture a special picture on a hooked rug?
Jon creates patterns from your photos and helps students
with the color planning and hooking techniques. Receive
instruction on creating faces, fur and feathers, shading,
and adding perspective. The picture can be of a person, your
favorite pet, your house, a favorite landscape or seascape.
You may also bring a pattern of the above-mentioned
subjects. The instruction is applicable to wide- and
Beverly Conway (1 Opening)
Bev is a well-known designer and a talented and fun teacher
for both beginners and advanced rug hookers. Her slide show
and commentary are insightful in critiquing artwork and
hooked rugs. She shows how to identify color harmonies, how
colors influence each other, and how to create harmony in
your rug. Her catalog and patterns are available in the GMRS
Creating the Illusion of the Third Dimension with Jon
Tuesday, June 10, 7-8 PM $8
Also available to the public.
Jon presents a brief history on the subject of perspective
in art and how it relates to our medium of rug hooking. He
shares his knowledge of techniques that are used to
accomplish the illusion of the third dimension through a
PowerPoint presentation, illustrations, and pictures that
demonstrate this fascinating effect in pictorials and
Ashworth-Krauss confers with Mary Brandt Murphy (94 years
old!) at Rug School 2005
WEEKEND TWO, June 12-14
BRING ANIMALS TO LIFE WITH WIDE-CUT
Trish Becker (2 Openings)
Trish welcomes students to the exciting world of wide-cut
animals (8.5-, 9- and hand- cut). Create a unique rug with
animal magnetism that truly engages the viewer. Whether you
have hooked for two years or twenty, Trish shows you how to
see as an artist and use color in new ways. Choose one of
her popular designs or, prior to class, Trish can draw a
pattern of your furry friend from a photograph. Trish’s
style of teaching affirms your creativity and encourages
Susan Feller (1 Openings)
Join Susan for a weekend of lessons on color— for a fun way
to learn and create! In each lesson hook a five-inch square
that allows you to study aspects of color (primary,
complimentary); value (shadows, light); detail (textures,
solids); shape (geometry, composition). Susan's finished
samples, reference books and other visual aids, along with
group discussion and critique, help broaden your awareness
of how these important aspects are developed in a larger
rug. Kit fee of $35 includes wools and backing for four
DYE POTS IN THE GREENHOUSE–ADVANCED
Karen Schellinger CANCELLED
More amazing colors, untapped creativity, uncommon
techniques, fun and so much more! We continue to use the Pro
Chemical primary colors but add more, while focusing on the
manipulation of the wool prior to entering the dye pot. The
many different techniques produce amazing color combinations
and reflect individual styles. Your understanding of color
expands as your imagination takes off. Bring wool,
comfortable shoes, and dress casually. You won’t believe
your eyes! Limited to students who have completed Karen’s
Essentials or Comprehensive dye classes.
FIND IT & FINISH IT
Nancy Claflin Blood (3 Openings)
Nancy specializes in fine hooking, but her knowledge and
experience encompass all aspects of rug hooking. Find your
unfinished projects and let Nancy start you on the road to
FLORALS, LEAVES & SCROLLS
Diane Moore FULL
This class is designed for experienced rug hookers who wish
to improve their skills through a variety of shading
techniques. Fine-cut strips are used to create
realistic-looking flowers and leaves. Explore different ways
of shading scrolls. Students are contacted prior to the
class to discuss pattern and color choices.
SCRAP RUGS THAT SING–ALL LEVELS
Lisanne Miller FULL
These are not your grandmother’s scrap rugs, but a great way
to use up your baskets of “noodles”! By using the colors of
your scraps (aka the colors you love), along with strong
images throughout the rug in dark browns, blacks and
grays—your rug will sing! Bring your noodles, plus a
one-quart size bag filled with extras to share and swap.
This is a great class
Conway with Linda Beaulieu
of Bloomfield, NY, 2007
TUITION & FEES
(5 days): Double $475, Single $595, Commuter $245
5 days of
hooking, Monday to Friday noon. Teachers are available
Sunday evening through Friday noon. Classrooms are open
until 11 PM for evening hooking.
Accommodations from Sunday to Friday noon.
include Sunday buffet dinner; Monday–Thursday: three
meals per day; Friday: breakfast and lunch.
includes Sunday buffet dinner and noontime meals.
SESSION: Double $245, Single $295, Commuter $140
2- ½ days of
hooking instruction, Friday 1 PM to Sunday 4 PM
Accommodations for two nights.
include Friday lunch through Sunday lunch.
fee includes Friday, Saturday, and Sunday lunches. Other
meals may be purchased separately at the cafeteria.
night’s stay is $70, which includes dinner and breakfast.
Accommodations for spouse/partner: $325 (Week), $135
(Weekends), includes room and all meals.
due in full by MAY 1, 2009. No refunds will be given
after May 15 for any reason. If tuition isn’t received by
May 1, your reserved place in a class may be forfeited.
Send $75 (separate from tuition fee), registration form, and
self-addressed, stamped envelope to Green Mountain Rug
School. Make check or money order payable to Green Mountain
Rug School. For two or more sessions, only one registration
fee is required.
IS DUE MAY 1, 2009. Please send full tuition fee.
Week: Double $475; Single $595; Commuter $245. Evening
Weekend: Double $245, Single $295; Commuter $140.
POLICY: If requested in writing prior to May 1, 2009,
$50 will be refunded. After May 15, no refund of
registration or tuition fees will be given for any reason.
The administration reserves the right to cancel any class
that does not draw the minimum number of registrants. If a
class is full, you will be placed on a waiting list and
notified if any vacancies occur.
LETTERS: Additional details, a map, and a final bill are
mailed out beginning April 15, 2009. For this purpose,
please include a self-addressed, stamped envelope with your
Click here for a printable
document requires a PDF reader, such as Adobe Acrobat,
available as a free download.
Photos by Robert Eddy,